* GatesAir OASIS Digital 12 Channel On-Air and Production Audio Console

Part of the GatesAir PR&E® portfolio, Oasis™ is a high-value, digital,  true standalone audio console for on-air and radio production applications.

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$6925.00
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Item: OASIS 12

 

Designed with your next-generation studio demands in mind.

Simply connect your microphones, source equipment, audio monitors — even a PC automation channel (no sound card required) — directly into Oasis and you’re on the air.Oasis allows you to cost-effectively and easily migrate from analog to digital whenever you’re ready. In addition to capabilities for all necessary audio and logic components, Oasis provides both analog and digital outputs that enable you to connect your facility with modern STLs and studio infrastructures.

An affordable solution for studios of any size and budget, Oasis is built with the combination of cost-efficient engineering and high quality you expect from Harris PR&E products.

 

Features

  • Standalone console reliability
  • Two program buses
  • Two optional telco faders
  • Two external monitor inputs
  • Four microphone preamps, standard
  • Truly comprehensive channel logic, standard
  • Studio monitor and headphone outputs standard
  • Optional remote studio monitor level control
  • Talkback to studio
  • Control room and studio logic standard
  • Built-in cue speaker
  • Automatic event timer
  • A and B inputs per fader
  • Balanced analog inputs; also switchable to consumer level
  • No special tools for audio or logic connections
  • USB interface including playout and record
  • Analog and digital outputs
  • Switchable metering (program two, ext1, ext2, cue)
  • Low-profile table-top mount
  • Hot-swappable modular input cards
  • Built-in headphone amplifier
  • Optional 8x1 advanced RLS
  • PR&E telco split bus for recording
  • PR&E autocue in headphones for advanced monitoring needs
  • PR&E advanced telco functionality options

 

Oasis has two basic input options — a balanced analog A/B input card and a microphone line A/B input card. Each hot-swappable card represents eight total inputs available to the four corresponding faders.

The console provides all the monitoring outputs you might need, including monitor and headphones for control room and studio. It even offers a remote level control option for the studio monitors, along with a direct “talk to studio” interface from the console.

Oasis features two meters, the second of which is switchable. It also displays an event timer with the controls necessary to track all your show elements.

In addition to the host of standard Oasis features, an optional 8x1 RLS module is also available as an option for input expansion. The control for this remote line selector is offered in a convenient console drop-in panel.

 

Includes

  • 12 Faders (2 Inputs per fader)
  • 4 Mic Pre Inputs (First 4 faders)
  • 20 Balanced Analog Inputs
  • CR and Studio Monitor Controls
  • 2 Program Busses
  • 1 Offline Bus
  • 2 Mix Minus Busses with optional Dual Telco
  • Dual Meters with Timer

 

Specifications
Specifications and designs are subject to change without notice.

Analog Line Inputs(all inputs and outputs are +4 dBu, balanced)

  • Input Impedance >40 k ohms, balanced
  • Nominal Input Level +4 dBu
  • Maximum Input Level +24 dBu


Analog Line Outputs(all inputs and outputs are +4 dBu, balanced)

  • Output Source Impedance <3 ohms balanced
  • Output Load Impedance 1 k ohms minimum
  • Nominal Output Level +4 dBu
  • Maximum Output Level +24 dBu


Conversions

  • A/D 24-bit, Delta-Sigma, 128x oversampling
  • D/A 24-bit, Delta-Sigma, 128x oversampling
  • Latency <1.6 ms, analog input to analog output


Digital Outputs

  • AES-3 Output Compliance 24-bit
  • Output Sample Rate 44.1 kHz, system referenced
  • Processing Resolution 24-bit


Logic GPIO

  • Logic Inputs Opto-isolated, floating or referenced to internal +5 VDC via DIP switch
  • Logic Outputs Opto-isolated, floating or referenced to internal ground via DIP switch. Outputs are independently configured for pulse or continuous, open or closed operation


Audio Frequency Response

  • Analog Input to Analog Output +0 dB/-0.5 dB, 20 Hz to 20 kHz


Audio Dynamic Range (referenced to FSD)

  • Analog Input to Analog Output 103 dB, 106 dB “A” weighted
  • Analog Input to Digital Output 107 dB


Audio Total Harmonic Distortion + Noise

  • Analog Input to Analog Output <0.005%, 20 Hz to 20 kHz, +18 dBu input, +18 dBu output


Audio Crosstalk Isolation

  • Adjacent Analog Inputs or Outputs >95 dB, 20 Hz to 20 kHz


Physical

  • Dimensions (H x W x D) Oasis-12: 5.49 x 28.4 x 17.25 in.


Power Supply

  • Type External, ‘line lump’ style, plug-in power supply
  • Input voltage 100 to 240 VAC, 50/60 Hz
  • AC input Detachable IEC cord with C5 (Mickey Mouse) connector
  • Output voltage +12 VDC
  • Power Requirements <100 W at 120 VAC/60 Hz


Test Conditions

  • FSD = Full Scale Digital, +24 dBu
  • Analog outputs measured with >1 k ohm load
  • Total Harmonic Distortion (THD+N) is measured at +18 dBu, using a 1 kHz or a swept signal with a 22 kHz low pass filter
  • 0 dBu corresponds to 0.775 volts RMS — regardless of the circuit impedance, which is equal to 0 dBm, as measured on a 600 ohm circuit
  • Noise specs use a 22 kHz measurement bandwidth. Using a 30 kHz bandwidth will increase the noise measurement by 1.7 dB

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